Muzika u predstavama crnogorskog narodnog pozorista: : nacini kodiranja nacionalne kulture i identiteta : (1953-2015) = Music in the plays of the Montenegrin National Theatre: : the ways of encoding the national culture and identity  Music in the Performances of the Montenegrin National Theatre: Ways of Encoding National Culture and Identity: (1953-2015) 

• Product Details

  Product #

  2582907B

  Author(s)

  Jovanovic-Nikolic, Jelena

  City

  Podgorica 

  Country

  Montenegro 

  Language

  Montenegrin 

  ISBN

  9788672155396 

  Date of Publication

  2023 

  Publisher

  Crnogorska akademija nauka i umjetnosti  

  Cover Type

  Hard cover 

  Pages

  210 

  Series

  Posebna izdanja : (monografije I studije) = Special editions : (monographies and studies) 176

  Odjeljenje umjetnosti 44

  Subject

  Performing Arts / Music / Cinema

   

• Product Details in Original Language

  Author

  Jovanović-Nikolić, Jelena

  Publisher

  Crnogorska akademija nauka i umjetnosti  

• Description

  Music in the Performances of the Montenegrin National Theatre: Ways of Encoding National Culture and Identity: (1953-2015) The theme of the book Music in the Plays of the Montenegrin National Theatre: Ways of Coding National Culture and Identity (1953–2015) is the product of my decades-long study of applied music (theater and film). The first research projects were related to the film music of Borislav Tamindžić, and then, having realized how many important and undiscovered elements of national culture and different types of identity can be recognized through applied music, my further research focused on theatrical music in Montenegro. Bearing in mind that “identity is best and most representatively expressed through the national theatre”, the commitment to dealing with music in plays imposed itself as a logical continuation of my previous research in the field of applied music in Montenegro. Observing and classifying the work of applied music composers on the aforementioned ground, special attention was paid to the oeuvre of the academically educated composer Žarko Mirković, who directed his broadly defined artistic activity almost from the very beginning (his career as a composer) to work in the theatre.